I recently had the pleasure of painting with a group of artists in Rochester, New Hampshire. We spent the afternoon learning a new process for creating pastel panels and working with various under painting techniques. We accomplished a lot amid the laughter and singing!Thanks to the 'Silver Palettes' for inviting me and for their enthusiastic and whole-hearted approach to art.
Thanks to the kind ladies who managed to paint and photograph our time together so I could share it here.
My friend Melanie has the most glorious magnolia plant as you enter her yard. She kindly thinks to call me each year when it's in full bloom so I may go photograph and be inspired by it.
Most of my recent paintings, including this one, are done on handmade panels. I use acid free mat board for a rigid surface. After coating one side with gesso to prevent curling, I apply 2-3 coats of Art Spectrum Pastel Primer to the front surface. This product comes in various colors, but I prefer white. This allows me to tint or under paint the background with the colors of my choice. I've been using watercolors to do this. For Triplets, after lightly blocking in the placement of the pears, I applied a watercolor wash in a warm peach tone over the entire surface. Then I went in with my pastels to create the painting.
I had fun with this one! I just love the intense pink of my Converse Chucks and have painted them several times. Though I'm not really a diamond type of a person, I've always liked the idea of walking with 'diamonds on the soles of her shoes'...it's more of an attitude or frame of mind. I thought this painting was a perfect place to put diamonds on the 'souls' of my shoes. The metallic powder pigment doesn't sparkle in a digital scan. I'm hoping the close up photo shows the effect a bit better.
I thought I was finished with my friend Bruce's leaf images, but I wasn't. There's just something about all these rich natural golden browns, layered on top of each other that keep drawing me back in. They lend themselves beautifully to the shimmery metallic pigment.
To all those who attended my pastel demonstration at the Bangor Public Library today, here is the finished piece, The Conversation. Thank you for the lively conversation we shared this morning. Your thoughtful comments and questions excite me. I enjoyed talking art with you.
Upon completing last week's leaf painting I had another vision for the piece. Where the previous painting used metallic powder pigments more subtly sprinkled on certain leaves, I wanted to experiment with gold leaf in a more solid approach.
After preparing my panel with 2 coats of pastel primer, I lightly blocked in the leave shapes with charcoal to place them within the composition. I then applied a loose warm wash of watercolor to establish the background color and some values.
Once this dried I began the process of applying gold leaf. I first painted the large leaf section across the bottom with gold leaf adhesive size. Once dry to tacky, I carefully applied the delicate 22 karat gold leaf.
Once this was completely dry, I gently brushed away the excess leaf leaving the fairly solid
section.
I then began working over the rest of the piece with my pastels.
After several layers to bring the leaves to the color and texture I wanted, Gold Leaf is finished.
This photo was taken on a beautiful day last fall while attending a football game at Maine Maritime Academy. I'm sure I watched the surrounding views more than the game!
My friend Bruce creates beautiful works of art with his camera. Sometimes, when I just can't resist, he graciously agrees to let me interpret his photos with my pastels. I was inspired by this image of oak leaves near his home.
I had an idea for what I wanted to achieve involving a multiple step process. After coating the back of my acid free mat board with gesso, I applied 2 coats of white Art Spectrum Pastel Primer to the front surface in big loose brush strokes. This gave me the tooth I needed to accept layers of pastel.
I then applied a warm watercolor wash. I kept the strokes random and ended by splashing the surface to get even more texture.When this was dry, I began 'carving' out the leaves with my pastels. After completing the pastel painting, now it was time to create the metallic effect I had in mind. I masked out all but the top right leaf and lightly sprayed it with a fine mist of water. I immediately sprinkled bronze metallic powder pigment there. After drying naturally, I masked all but the large leaf across the bottom. This I lightly sprayed and sprinkled with a touch of gold metallic powder. I'm pleased to say this painting is just what I envisioned since first seeing Bruce's image.
I have begun working more with panels I create myself. I use Art Spectrum Pastel Primer on acid free mat board. Using loose brush strokes and custom colors, I am able to create a toothy somewhat textured surface which accepts the pastels nicely. I can get a richness and depth of color that I'm enjoying. SOLD
We are fortunate to live across the road from The Peacemeal Farm.
Not only are they wonderful neighbors, they grow every kind of organic vegetable you can imagine. I find endless inspiration in their fields, gardens and produce.
This was painted on white Wallis sanded pastel paper stained with India ink. This dark background allowed for the vibrant colors. I loved the deep rich color of these peaches...and the deep recesses of the stemless holes.
These are the drooping remnants of some of the hundreds of sunflowers my husband plants every year. They're even graceful in their winter state...but wait til you see them come spring!
A section of our backyard. You see one of the apple trees. What you don't see are the two small pear trees planted a couple of years ago. I'm growing my own pears for painting!
July 9, 1959 – March 23, 2015 Brenda was an artist in rural Maine, working both in soft pastels and oils. She was delighted to have this blog to share her paintings and her process. As Brenda said, "I thank you kindly for your interest."
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Oil Paintings
All oil paintings are done on 6"x 6" Gessobord panels. The cost for each is $100 + $10 domestic shipping (unless otherwise noted). These unframed panels arrive ready to hang.
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